On my way to the studios of WPFW (Washington, DC) this morning to do my show–ARISE!–I listened to DJ Candy Shannon remind us that today the iconic John Coltrane would have turned 90.
John Coltrane’s famous piece Giant Steps is the theme for my show, so the mention of his name grabs my attention.
I was ‘won’ to Coltrane when i was first introduced to Jazz in the late 1960s. Coltrane had already passed away (1967) by the time i found myself in the world of jazz. His music, his social commitment and his willingness to take creative risks put him in a very special category.
I don’t so much worry that Coltrane will be forgotten. There are plenty of jazz fans who will keep the torch burning. What does worry me, however, is that there are many younger Black people who have not a clue as to who Coltrane was or his historical significance. This is not just a matter of overlooking Coltrane, but rather part of the generational disconnect that has emerged over the last 30+ years when it comes to jazz. This disconnect seemed to happen in stages, first among those of us of the Baby Boomer generation and, later, between those who worshiped jazz as such an unusual art form and those who thought that it was irrelevant or, at best, quaint.
Certain musicians, such as the late Billy Taylor, but also Wynton Marsalis and others regularly campaigned (or campaign) to keep jazz in front of the public and to infuse it into a new generation of African American musicians, while at the same time, encouraging jazz creativity among such musicians, i.e., ensuring that we all understand that Jazz is not a frozen-in-time art form but one that is constantly evolving.
Few musicians so exemplified this recognition as the late John Coltrane. We must take a moment to thank him for this and to hope that his soul rests easy.
4 thoughts on “How can we let John Coltrane’s birthday pass by without a word?”
I saw John Coltrane in one of his last performances at MIT. It was 1966 I believe. At that time his recording of “My Favorite Things” was high on the Billboard charts.
The way he approached the tune was quite different than was on the recording. The audience sat through a spell-binding ten minutes of wonderful improvisation before, to everyone’s delight he broke into the familiar melody. I still get goosebumps when I think about it. I’m so grateful that I was alive to experience and be inspired by John Coltrane.
I envy the fact that you could have seen Coltrane perform. Your story double underlines my points. Thanks so much!
Thank you for inspiring this post on my own blog http://www.zeroplusone.net/2016/09/what-john-coltrane-meant-to-me.html
Like myself Coltrane claimed Philadelphia as his hometown. His version of “Favorite Things” pushed me further along on my path of compelling appreciation for jazz and the historical context of its origin. Temple University’s WRTI (90.1 fm) features jazz between 6 PM and 6 AM and round the clock on line.